SAMUEL (HERRING COVE)

Dylan Hurwitz captures the liminal spaces where connection, ritual, and desire meet. The series draws from Hurwitz’s journeys through marshlands that lead to a hidden cruising beach—a sanctuary shaped by its remoteness and its intimacy. These landscapes, imbued with mystery, become stages for fleeting encounters and quiet communion.

Dylan’s process begins on-site, working en plein air to document the immediacy of these spaces. These small, gestural studies later expand in the studio, where scale and cropping push the compositions into semi-abstract works. Figures emerge as part of the landscape—fragmented yet harmonious, their forms dissolving into the textures of dunes and marshes.