A HELPING HAND

His sculptures are playful and sensual, often exaggerating bodies and gestures to explore intimacy, humor, and vulnerability. Muscled figures melt into flowers, wrestle with desire, or slip into dreamlike encounters that balance tenderness with a mischievous sense of fun.

Clay, for Quinn, is both liberating and unpredictable. He works by feel, letting the material guide him, embracing its weight, its surprises, and even its accidents. What emerges are works that are as much about joy and touch as they are about the strange beauty of human connection.